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Artist Biography :: NativeMotif.com
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Barbara Bowling Barbara Bowling
Boise, Idaho
Representing:
Boise, Idaho
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Barbara Bowling is an artist living in Boise, Idaho. She specializes in vitreous enameling and metal etching, inspired by the small canvas that jewelry-sized work presents. All of her pieces are one-of-a-kind, presenting unique opportunities for personal adornment. Her 15 years as a professor of horticulture are reflected in the plant forms and the flowing natural textures and lines of her designs. “I create to connect to the world around me, but also because it is simply in my nature to make things: To bring form to the formless, order to chaos, an evocative object where there once was none.”

Artist Notes:
Sewing cards. Remember them? In my first memory, I am on a boat with my dad, who is fishing. I am three years old and threading bright yarn through holes in equally bright cardboard with a blunt needle. A couple of years later, I find old curtains in the basement, and play with them for hours, eventually figuring out how to sew a seam (inside out!), and make gathers (big stitches, drawn tight!). I make a dress for my best-friend doll, Cinderella.

I have been thus driven for all of my remembered life. So it is not so surprising that after fifteen years as a plant science professor, I find myself once again making things full-time, rather than in stolen moments.  In those intervening years, so full of practical considerations, I developed an enormous respect for plant life.  Plants fill the world with function and beauty simultaneously. No life could Be without their primary existence, and yet they live their lives of incomprehensible utility, exquisite beauty and languid grace without expectation of appreciation or recognition. Their sensual, graceful forms and jewel-like colors inspire and inhabit my work, often in abstraction, but still evident to even the casual viewer.

I make things because I am compelled and inspired to. The media I chose changes. The need to create as a means of connecting to creation . . . to express what’s inside to the outside . . . to produce a compelling object . . . never does.

LEARNING CENTER

The Process of Metal Etching
The etching of metal is a multi-stepped process which imparts texture to the metal. Etching is most often done on metal before it is made into an object. My etching work begins with a picture I’ve drawn or a photograph I’ve taken. The metal is treated by fusing a photosensitive film onto it, and then the selected image is imprinted on the film by exposing it to ultraviolet light. The metal with the imprinted image is then developed in a basic solution.

After this, the metal is floated onto an aerated bath of acid salts: ferric chloride for nugold and copper; ferric nitrate for fine silver and sterling. After several hours, the imprinted image is eaten away by the acid salt, resulting in a very pleasing texture.

What is Vitreous Enameling?Artisan Jewelry by Barbara Bowling
Vitreous enameling
is an ancient art, with the earliest known pieces dating back to 13th century, B.C. Finely ground glass is melted and fused onto metal in a kiln with multiple firings, resulting in an extremely durable, yet beautiful surface. The use of transparent enamels results in a surface with complexity and depth, while opaque enamels impart a very solid and dense color. This surface is so tough that it is used for road signs and high-end outdoor commercial signage.
Many techniques are used in conjunction with enamels, including cloisonné, where fine silver or gold wires encase the glass in cells; and champleve, a technique in which glass is packed into etched metal.
Vitreous enamels are not paints, nor are they plastics (resins). Their quality and longevity far exceed these more modern materials.

NuGold is an alloy (type) of brass that has been specially formulated for jewelry. It has a richer, warmer color than most other brass alloys, and most importantly, it contains NO nickel, which many people are allergic to. It offers that rich golden color without the very high cost of gold.

Argentium is a type of sterling silver. Like traditional sterling silver, it is composed of 92.5% fine silver, however the copper in traditional sterling has been replaced by germanium.It has only recently been developed, and has the advantage of being highly tarnish resistant. In appearance, it is indistinguishable from traditional sterling silver.

Artist Shows and Professional Activities

* May 2008 Seventh Annual Juried Art Exhibition. ArtSource Gallery, Boise, Idaho. "Pretty with Teeth: Protective Jewelry for Daughters".

* February 2008 We Art Women. A celebration to benefit the Women's and Children's Alliance of Boise. 3 pieces in show.
* June 2007 Boise Open Studios show and studio tours. Visual Arts Collective, 1419 Grove Street, 8-10 June.

* April 2007 National Television appearance on HGTV's That's Clever show.

* February 2007 Demonstration of torch-fired enameling. Idaho Gem and Mineral Show.

* October 2006 Enamels demonstration. Capitol Farmer's Market, Boise, Idaho.

* July 2006 Art and Wine Show. St. Chapelle Winery, Caldwell, Idaho.

* 7 June 2006 Enamel demonstration for Idaho Metal Arts Guild (IMAG).

* May 2006 Featured Artist, Artistic Expression Gallery, Boise, Idaho. First Thursday.

* 26 May 2006 Martini pick Challenge Gala and Auction for Boise Art Museum.

* November 2005 Set up and participated in Silent Auction of artist-made ornaments for IMAG. Proceeds were divided equally between IMAG and the Idaho FoodBank.

* October 2005 Began monthly trunk shows with 2 other professional metalsmiths.

* July 2005 Organized, coordinated and participated in the Idaho Metal Arts Guild demonstration booth at the Boise City Farmer's Market.

* February 2005 Coordinated Idaho Metal Arts Guild booth at the Idaho Gem and Mineral Show.
* November 2004 IMAG ornament show and sale. Boise, Idaho. Mobile show at jewelry stores in Boise (5 ornaments presented)

Memberships and journals

* 2007-present Member, Boise Open Studios Collective Organization (BOSCO)
* 2008 Secretary, BOSCO.
* 2003-present Idaho Metal Arts Guild (IMAG)
* 2003-present Society of North American Goldsmiths (SNAG). Incl. subscription to Metalsmith.
* 2003-present The Enamelist's Society.
* 2003-present Lapidary Journal, more recently titled
* 2003-present The Craft Report Awards
March 2005 Idaho Commission on the Arts. QuickGrant for Professional Development. $490.

Professional Positions

* 7/1/84 - 4/15/99 - Assistant and Associate professor of Horticulture at Rutgers and Penn State Universities. Complete Curriculum Vitae, including publication list, available upon request.

Education Degrees

* Ph.D. The Ohio State University, 1984. Horticulture.
* M.S.: The Pennsylvania State University, 1980. Horticulture.
* B.S. University of Maryland, secondary teaching certification, 1978. Horticulture.

Additional coursework: University

* Spring 2007 Creative Welding. College of Applied Technology. Boise State University.

* Spring 2004 Drawing II. (Art 112). Boise State University, Idaho. 3 credits.

* Spring 2004 Metals. (Art 221). Boise State University, Idaho. 3 credits.

* Summer 2003 Drawing. (Art 111). Boise State University, Idaho. 3 credits.

* Fall 1982 Stained Glass. Ohio State University, Columbus, Ohio.

* Spring 1976 Latin American Art. University of Maryland, College Park, Maryland. 3 credits.

* Fall 1976 Basic Landscape Composition. University of Maryland. 2 credits.

* Spring 1975 Art History II. Montgomery College, Rockville, Maryland. 3 credits.

* Fall 1974 Weaving, Montgomery College. 2 credits.

* Fall 1974 Jewelry. Montgomery College. 2 credits.

* Spring 1973 Ceramics I. University of Maryland. 3 credits.

* Fall 1972 Fundamentals of Design. University of Maryland. 3 credits.
Additional Course Work: Workshops and conferences

* August 2007 Attendance at Fusion: the 11th Biennial Conference of the

* Enamelist Society. Columbus, Ohio. Included pre- and post conference
workshops in Sculptural enamels, with Patricia Nelson; and Art Deco Forms in Copper, with Don Neuenschwander.

* August 2007 Casting. Revere Academy, San Francisco, California. 3 day workshop.

* April 2007 Bench tricks with Eleanor Moty. 1 Day workshop. Boise State University, Boise, Idaho

* April 2007 Repousse techniques with Yuyen Chang. 2-day workshop. Boise State University, Boise, Idaho. Sponsored by BSU.

* Oct-Dec 2006 Mosaics class (8 weeks). Fort Boise Art Center, Boise, Idaho.

* Oct-Dec 2006 Pastels class (8 weeks). Fort Boise Art Center, Boise, Idaho.

* September 2006 Narrative Design with Marcia MacDonald. 2 day workshop. Boise State University, Boise, Idaho.

* April 2006 Marriage of metals and bench tricks with Joanna Gollberg. 2 day workshop. Boise State University, Boise, Idaho.

* October 2005 Keum Boo and related techniques with Caroline Gore. 2 day workshop. Boise State University, Boise Idaho.

* September 2005 Attendance at Metamorphosis: the 10th Biennial Conference of the Enamelist Society. Arrowmont Crafts School in Gatlinburg, Tennessee. Included pre- and post conference workshops in Fusing with Patsy Croft and Granulation with Doug Harling.

* June 2005 Attendance at the annual meeting of the Society of North American Goldsmiths, Cleveland Ohio. Post Conference class on Novel enameling techniques with Elizabeth Turrell.

* April 2005 Metalsmithing techniques, including hinges and closures with Lisa Gralnick. Boise State University. Sponsored by IMAG and BSU.

* November 2004 The Found Object Sandwich, and Pricing with Thomas Mann.Boise State University. Sponsored by IMAG and BSU.

* April 2004 Bench Tricks and Tips with Andy Cooperman. Montana State University, Bozeman, MT.

* March 2004 Attendance at the annual meeting of the Society of North American Goldsmiths. St. Petersburg, FLA.

* August 2003 Attendance at On the Edge: The 9th Biennial Conference of the Enamelist Society. Evergreen College, Washington. Included pre- and post conference workshops (3 days each) on metal etching (Jan Harrell) and saw-and-solder champleve (Carolyn Baldwin).

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